A track such as “Crepuscular Creatures”, with unhinged, discordant guitar chords, as bassist Ville Hakonen’s hand snakes up and down the frets, is at the more avant-garde end of the album. Long term drummer Jukka Rämänen thundering the toms like never before, as McNerney croons Scott Walker-esque lyrics, somewhere between Edith Södergran and Ted Hughes. “Whereas Listen To The River” with its ominous M.R James/folk horror lyrics of perilous environmental warning, featuring Ben Chisholm main collaborator and multi-instrumentalist with Chelsea Wolfe on lush, haunting keys and strings, could have appeared on HEXVESSEL’s sophomore album ‘No Holier Temple’, albeit with a sound of that era, progressing out of folk. ‘Polar Veil’ features Nameless Void from Negative Plane, performing the guitar solo on the song “Ring” and on “Older Than The Gods”, Okoi from Bølzer provides guest vocals. At first an unlikely partnership but one that makes total sense as the album deepens, and threads can be drawn that reveal the place ‘Polar Veil’ is coming from. On the process of recording ‘Polar Veil’, McNerney explains: “I built a studio at home in the log hut on our field, surrounded by large trees, called Pine Hill, to escape from everything and everyone. ‘Polar Veil’ is what a spiritual home sounds like.” When the components of the medicine are familiar but brewed in a completely novel concoction, the resulting side effects can be deliriously intoxicating. Peer behind this ‘Polar Veil’ for a breath of fresh tundra air with HEXVESSEL’s singles “Older Than The Gods” & “Ring” HERE |