The band’s blistering new EP sees The Contortionist step outside the atmospheric storytelling of their critically-lauded conceptual masterpiece Clairvoyant (2017) to indulge an aggressive shadow side. More an anthology of standalone bursts of intensity, Our Bones isn’t a mere stopover between albums. It’s both a definitive look back and an ambitious leap forward. “We try to do something different with everything we create,” explains Lessard. “With our albums, we tend to work with overarching interconnected themes. ‘Our Bones’ is a departure. It offered an opportunity to dive into some things we haven’t had a chance to explore, and the shorter EP format allowed us to be hyper-focused on each song.” Our Bones was mixed and mastered by longtime collaborator Jamie King (Between The Buried And Me, Through The Eyes Of The Dead), who worked on Language and Clairvoyant. While The Contortionist ultimately has proven themselves masters of psychedelic-enhanced experimentation and trippy melodicism, endearing them to fans of later period Enslaved and Sigur Ros alike, they have never entirely forsaken the urgent impact of tech-leaning extremity. “From The Beatles to Pink Floyd to Mastodon, all the great rock bands in history have clear, non-linear musical trajectories,” Metal Sucks observed. “It’s great to see a band taking chances and moving forward. The result is a fully formed band, four albums in, to which no other bands compare. Literally: no one else sounds like The Contortionist even a little.” | 
