Beauty often blossoms at the root of darkness. A Pale Horse Named Death siphon strangely blissful melodies from apocalyptic heavy metal awash in swells of cavernous gothic keys and grunge song-craft The band continue to excavate vulnerability from venom on their anxiously awaited third full-length album, “When The World Becomes Undone.” A delicate dichotomy drives the avowed and acclaimed “Brooklyn Lords of Doom.”
“It’s our signature combination of seemingly depressing and dark musical tones with unexpectedly pretty melodies,” affirms Sal Abruscato. “There’s a hypnotic phenomenon that happens when you take super heavy riffs and add a harmonic sensibility. It allows you to drift off and zone out.”
The new album was mastered by Maor Appelbaum (Faith No More, Meat Loaf, Yes, Sepultura, Halford etc.) at Maor Appelbaum Mastering while the artwork was once again created by Sam Shearon (Rob Zombie, Fear Factory, Cradle of Filth etc.).
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