| At a time when cultural innovation is being side-lined like never before and many unusual forms of music are succumbing to the temptation of the more commercially lucrative mainstream, VIRGIN STEELE are the shining, silver lining. For over 40 years, mastermind David DeFeis has kept one of the most imaginative bands in the power metal genre on track with his excellent songwriting and charismatic voice. At the same time, DeFeis has never stopped evolving as a composer, musician and producer, updating his symphonic-tinged sound with exciting new influences. He has already accomplished this many times over with classics like ‘Invictus’ (1998), ‘The House Of Atreus I & II’ (1999/2000) and ‘Visions Of Eden’ (2006). With his current album, ‘The Passion Of Dionysus’, DeFeis surpasses himself in his unbridled creativity. Eight years after the acclaimed studio opus, ‘Nocturnes Of Hellfire & Damnation’ (2015), DeFeis` brilliant signature maneuvers the album through a gripping parable about control and freedom, creating another highlight of the VIRGIN STEELE catalog. As usual, David DeFeis has chosen a downright epic theme that delves deep into the annals of human history, while maintaining a concrete reference to the present: “The album deals with the concept of duality. Where something is both one thing and its opposite simultaneously“, he explains about the underlying message of the new record. “It obviously has to do with Dionysus and, as the title suggests, his ‘Passion’ or suffering, and his coming to Thebes to avenge the slander of his mother, as well as punish the King of Thebes for denying his worship there. But that being said, more is going on.“ There is no doubt that David DeFeis is not only an ingenious composer and musician, but also a true visionary who – with his band – has the perfect medium at his disposal to evolve both humanly and culturally: “I see VIRGIN STEELE as a way of life. The band is my vehicle with which I traverse vast oceans of experience. We are always doing things our own way, on our own specific terms.“ | 
