There are times in the life of every temporal traveller when thunderous electric boogie rock is the only thing that makes any sense at all. Formed in Dallas, Texas, amid the dying embers of 2015, Smokey Mirror have dedicated themselves to spreading a gospel of scorched-earth riff worship and wild, psychedelic abandon. Led by vocalist/guitarist Mario Rodriguez, they have steadily nurtured their untameable sound, building toward the impending release of their self-titled debut album. Completed by bassist Tyler Davis, guitarist Caleb Hollowed and drummer Cam Martin, Smokey Mirror are only just beginning their trip… “Our musical masterplan was to write songs that blend energetic heavy blues rock with elements of progressive and freeform styles of music,” says Mario, “We wanted to make music that is engaging to both casual listeners and the refined ears of musicians. We performed around Texas as a trio [with former drummer Josh Miller] for a few years and began collaborating with Cam in the spring of 2018, just before SXSW. A few months later, we met our guitarist Caleb at Charley’s Guitar Shop [in Dallas], where he works as a repairman. We started playing as a quartet and began finalizing material for our first full-length shortly thereafter.” Capturing the fiery, hypnotic chaos of Smokey Mirror on tape was always going to require some expertise. Initial sessions took place at Palmyra Studios in the small town of Palmer, Texas, with Paul Middleton in the engineer’s chair, and a whole load of classic, vintage gear. “Our engineer, Paul Middleton, was the bassist and singer for the late 70’s heavy rock band Blackhorse,” says Mario, “He also spent decades working as a touring sound engineer for the likes of Bonnie Raitt and Julio Iglesias, during the peaks of their careers! Palmyra uses all vintage, analogue recording equipment, including two-inch tape machines and a 1969 Neive console formerly owned by Abbey Road studios.” Originally due to be recorded in early 2020, Smokey Mirror’s debut faced the same delays that scuppered everyone’s best laid plans back in that accursed year, along even more unforeseen obstacles to contend with. Nonetheless, rock ‘n’ roll simply refuses to be stopped. |